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Keywords: people portrait Edmund Spenser (c. 1552 – 13 January 1599) was an English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy. Edmund Spenser was born in London around 1552. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge.[1][2] In July 1580 Spenser went to Ireland, in the service of the newly appointed lord deputy, Arthur Lord Grey de Wilton. Then he served with the English forces during the Second Desmond Rebellion. After the defeat of the rebels he was awarded lands in County Cork that had been confiscated in the Munster Plantation during the Elizabethan reconquest of Ireland. Among his acquaintances in the area was Walter Raleigh, a fellow colonist. Through his poetry Spenser hoped to secure a place at court, which he visited in Raleigh's company to deliver his most famous work, the Faerie Queene. However, he boldly antagonized the queen's principal secretary, Lord Burghley, and all he received in recognition of his work was a pension in 1591. When it was proposed that he receive payment of 100 pounds for his epic poem, Burghley remarked, "What, all this for a song!" In the early 1590s, Spenser wrote a prose pamphlet titled, A View of the Present State of Ireland. This piece remained in manuscript until its publication and print in the mid-seventeenth century. It is probable that it was kept out of print during the author's lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. Spenser recommended scorched earth tactics, such as he had seen used in the Desmond Rebellions, to create famine. Although it has been highly regarded as a polemical piece of prose and valued as a historical source on 16th century Ireland, the View is seen today as genocidal in intent. Spenser did express some praise for the Gaelic poetic tradition, but also used much tendentious and bogus analysis to demonstrate that the Irish were descended from barbarian Scythian stock. Later on, during the Nine Years War in 1598, Spenser was driven from his home by Irish rebels. His castle at Kilcolman, near Doneraile in North Cork was burned, and it is thought one of his infant children died in the blaze - though local legend has it that his wife also died. He possessed a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. The ruins of it are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend has it that he penned some or all of The Faerie Queene under this tree. Queen Victoria is said to have visited the tree while staying in nearby Convamore House during her state visit to Ireland before she died. In the following year Spenser traveled to London, where he died in distressed circumstances, aged forty-six. It was arranged for his coffin to be carried by other poets, upon which they threw many pens and pieces of poetry into his grave with many tears. Edmund Spenser (c. 1552 – 13 January 1599) was an English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy. Edmund Spenser was born in London around 1552. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge.[1][2] In July 1580 Spenser went to Ireland, in the service of the newly appointed lord deputy, Arthur Lord Grey de Wilton. Then he served with the English forces during the Second Desmond Rebellion. After the defeat of the rebels he was awarded lands in County Cork that had been confiscated in the Munster Plantation during the Elizabethan reconquest of Ireland. Among his acquaintances in the area was Walter Raleigh, a fellow colonist. Through his poetry Spenser hoped to secure a place at court, which he visited in Raleigh's company to deliver his most famous work, the Faerie Queene. However, he boldly antagonized the queen's principal secretary, Lord Burghley, and all he received in recognition of his work was a pension in 1591. When it was proposed that he receive payment of 100 pounds for his epic poem, Burghley remarked, "What, all this for a song!" In the early 1590s, Spenser wrote a prose pamphlet titled, A View of the Present State of Ireland. This piece remained in manuscript until its publication and print in the mid-seventeenth century. It is probable that it was kept out of print during the author's lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. Spenser recommended scorched earth tactics, such as he had seen used in the Desmond Rebellions, to create famine. Although it has been highly regarded as a polemical piece of prose and valued as a historical source on 16th century Ireland, the View is seen today as genocidal in intent. Spenser did express some praise for the Gaelic poetic tradition, but also used much tendentious and bogus analysis to demonstrate that the Irish were descended from barbarian Scythian stock. Later on, during the Nine Years War in 1598, Spenser was driven from his home by Irish rebels. His castle at Kilcolman, near Doneraile in North Cork was burned, and it is thought one of his infant children died in the blaze - though local legend has it that his wife also died. He possessed a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. The ruins of it are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend has it that he penned some or all of The Faerie Queene under this tree. Queen Victoria is said to have visited the tree while staying in nearby Convamore House during her state visit to Ireland before she died. In the following year Spenser traveled to London, where he died in distressed circumstances, aged forty-six. It was arranged for his coffin to be carried by other poets, upon which they threw many pens and pieces of poetry into his grave with many tears. Edmund Spenser oil painting.JPG en Supposed portrait of Edmund Spenser English Renaissance poet and author of The Fairie Queene http //www historicalportraits com/Gallery asp Page Item ItemID 695 Desc Edmund-Spenser- --English-School author century 16 80px 80px PD-Art Edmund Spenser Edmund Spenser (c. 1552 – 13 January 1599) was an English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy. Edmund Spenser was born in London around 1552. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge.[1][2] In July 1580 Spenser went to Ireland, in the service of the newly appointed lord deputy, Arthur Lord Grey de Wilton. Then he served with the English forces during the Second Desmond Rebellion. After the defeat of the rebels he was awarded lands in County Cork that had been confiscated in the Munster Plantation during the Elizabethan reconquest of Ireland. Among his acquaintances in the area was Walter Raleigh, a fellow colonist. Through his poetry Spenser hoped to secure a place at court, which he visited in Raleigh's company to deliver his most famous work, the Faerie Queene. However, he boldly antagonized the queen's principal secretary, Lord Burghley, and all he received in recognition of his work was a pension in 1591. When it was proposed that he receive payment of 100 pounds for his epic poem, Burghley remarked, "What, all this for a song!" In the early 1590s, Spenser wrote a prose pamphlet titled, A View of the Present State of Ireland. This piece remained in manuscript until its publication and print in the mid-seventeenth century. It is probable that it was kept out of print during the author's lifetime because of its inflammatory content. The pamphlet argued that Ireland would never be totally 'pacified' by the English until its indigenous language and customs had been destroyed, if necessary by violence. Spenser recommended scorched earth tactics, such as he had seen used in the Desmond Rebellions, to create famine. Although it has been highly regarded as a polemical piece of prose and valued as a historical source on 16th century Ireland, the View is seen today as genocidal in intent. Spenser did express some praise for the Gaelic poetic tradition, but also used much tendentious and bogus analysis to demonstrate that the Irish were descended from barbarian Scythian stock. Later on, during the Nine Years War in 1598, Spenser was driven from his home by Irish rebels. His castle at Kilcolman, near Doneraile in North Cork was burned, and it is thought one of his infant children died in the blaze - though local legend has it that his wife also died. He possessed a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. The ruins of it are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend has it that he penned some or all of The Faerie Queene under this tree. Queen Victoria is said to have visited the tree while staying in nearby Convamore House during her state visit to Ireland before she died. In the following year Spenser traveled to London, where he died in distressed circumstances, aged forty-six. It was arranged for his coffin to be carried by other poets, upon which they threw many pens and pieces of poetry into his grave with many tears.
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